mardi 19 mars 2013

Apprendre le métier de romancier

Hâtez-vous lentement, et sans perdre courage,
Vingt fois sur le métier remettez votre ouvrage,
Polissez-le sans cesse, et le repolissez,
Ajoutez quelquefois, et souvent effacez.
                                                  
Nicolas Boileau


Cette citation résume à elle seule le travail du romancier.

Comme promis (cf mon précédent post "Comment je travaille"), je vous livre une version où je suis parvenue à terminer ma nouvelle en partant de la photo de Doisneau.

Elle va s'insérer dans un recueil et Simon est un personnage qui apparaît au tout début de celui-ci.
Je pense débuter par son licenciement pour finir par la création de sa boîte.

Quel sera ce parcours ? Je suis actuellement en pleine réflexion :
- Dois-je partir sur 10 nouvelles comme pour une gestation et l'émergence d'une nouvelle vie ?
- Prendre le parti de vous faire suivre une année de vie soit 12 nouvelles ?
- Créer du lien en utilisant un objet et le reprendre dans toutes les nouvelles ?
- Créer des liens entre les personnages pour donner plus de sens ou évoquer seulement des situations où le travail est le lien ?
...

Quand je vous disais ; en pleine réflexion !

En attendant, voici "La coiffeuse et le libraire", nouvelle version.

Cinq façons de pimenter ses écrits

Ces quelques conseils me semblent pertinents et je tenais à les partager avec ceux qui comme moi écrivent.
 
-------------------------

5 Ways To Add Sparkle To Your Writing
Would You Like To Add Sparkle To Your Writing?
Does your writing sometimes fall flat?
You can’t figure out exactly why, but you know when it happens. There’s no chemistry, no sparkle to lift your writing and give it wings.
There are practical ways to put that ‘je ne sais quoi’ back into your writing.
All you have to do is to recognize and fix the five common errors that dull the sparkle of your writing.


1.
Your characters are fraternal twins.

They might not look like each other, but they often mimic one another’s movements and reactions. Building unique characters extends to giving them unique ways of responding to the world.
What do your characters do when they’re nervous? If they all wipe their brow, you’ve got problems. These are common gestures that don’t make memorable characters.
If you find it hard to come up with different, memorable gestures, create a database of them. People have a smorgasbord of reactions that most writers never take advantage of. Always carry a notebook to record the less obvious ones.
If you see a quarrel at a cashier’s counter, watch the customers carefully. Where are their hands? How are they standing? What do they sound like? You’ll soon have a cheat sheet of wonderfully original, true reactions. These will form the basis for unique characters.


2.
Your sentences play the same beat.

If you read like a reader, you’ll see how important pacing is.
Varying the length of your sentences gives the writing its own rhythm. It keeps the reader alert and allows you to shine a spotlight onto the right sentence. For example, Dean Koontz writes:
“According to the current master of Roseland and everyone who worked for him, the source of the disturbing cry was a loon. They were either ignorant or lying.”
The emphasis is on the short sentence. They were lying.


3. You let a cliché escape.

You jotted down a stale, overused term or description, but it was never meant to stay that way.
You were going to return and fix it at some point. Then on your second or third edit, changing it seemed like too much work. It’s just one or two sentences anyway, right? What’s the big deal?
Any phrase or way of seeing that is common and overused is a death grip on your writing. The words have no impact; readers gloss over them.
Force yourself to think more creatively. Between “She read my mind” and “She saw clean into the marrow of my thoughts”, which one is more likely to grab a reader’s attention?


4. You tell instead of showing.

Sure, it’s clichéd advice, but it’s also the Venus flytrap of writing. Touché!
Unless you’re on the lookout, a leisurely paragraph can easily turn into a section that loses your reader. And the book snaps shut, never to be opened again.
We’re accustomed to telling instead of showing in conversation, since showing requires more thought and ingenuity. That’s why it’s such an easy mistake to make – one that even Chekhov felt he had to illustrate:
“Don’t tell me the moon is shining; show me the glint of light on broken glass.”


5. You never abandoned the manuscript.

You’ve written your umpteenth draft, and you’re as happy as a writer can possibly be.
Now it’s time to lock the manuscript in a drawer and forget about it. As Zadie Smith recommends, spend at least three months away from its clutches. You will then be able to return with a fresh perspective, as a reader instead of a writer.
At this point, redundancies, limp sentences, and awkward transitions will seem obvious. You’ll be your own best editor.
If you can grab hold of these five errors and rein them in in your writing, you’ll find your writing sparkling – and sparking your audience too!
I am so confident of the sparkles, that I guarantee them. In fact, if your experience turns out differently, I want to hear from you!
Please share your thoughts and challenges in the comments. I’d love to know what you think.

About the Author:
Natasa Lekic is an editor at NY Book Editor, a boutique editing service that caters to self-published writers who are serious about their craft. If you’d like to get more editorial advice, drop in on their blog.

Pour plus de conseils rendez-vous sur ce site
: Write to done

samedi 2 mars 2013

Ang Lee : filmographie

Rectification : "Le secret des poignards volants" a été réalisé par Zhang Yimou, méa culpa, pour Ang Lee, il s'agit de l'emblématique "Tigres et dragons" sorti en 2000.

Pour sa filmographie complète, rendez-vous sur wikipédia.

Accroche-toi à ton rêve : la leçon d'Ang Lee

Aujourd'hui, j'ai vu son film "Le secret des poignards volants", tout simplement magnifique !

Mais avant d'en arriver là et d'obtenir la petite statuette, il en a connu des refus.

Six ans avant de se faire connaître, à envoyer des scripts, à travailler chez lui, à élever ses enfants seulement soutenu par son rêve.

Comme quoi il faut s'accrocher et être prêt à tous les sacrifices.

Je vous mets en post un article reçu de mon homme qu'il m'a partagé via feedly.

------------------------------------------------------------------------

The Lean Years Of Ang Lee
85th Annual Academy Awards - Press Room
Recalling an interview he did with the director in 1993, Jeff Lin ponders what the two-time Oscar winner endured until fame finally arrived:
From age 30 to 36, he’s living in an apartment in White Plains, NY trying to get something — anything — going, while his wife Jane supports the family of four (they also had two young children) on her modest salary as a microbiologist. He spends every day at home, working on scripts, raising the kids, doing the cooking. That’s a six-year span — six years! — filled with dashed hopes and disappointments. “There was nothing,” he told The New York Times. “I sent in script after script. Most were turned down. Then there would be interest, I’d rewrite, hurry up, turn it in and wait weeks and weeks, just waiting. That was the toughest time for Jane and me. She didn’t know what a film career was like and neither did I.” It got so discouraging that Lee reportedly contemplated learning computer science so he could find a job during this time, but was scolded by his wife when she found out, telling him to keep his focus.
Put yourself in his shoes. Imagine starting something now, this year, that you felt you were pretty good at, having won some student awards, devoting yourself to it full time…and then getting rejected over and over until 2019. That’s the middle of the term of the next President of the United States. Can you imagine working that long, not knowing if anything would come of it? Facing the inevitable “So how’s that film thing going?” question for the fifth consecutive Thanksgiving dinner; explaining for the umpteeth time this time it’s different to parents that had hoped that film study meant you wanted to be a professor of film at a university.
The lesson Lin draws:
If you’re an aspiring author, director, musician, startup founder, these long stretches of nothing are a huge reason why it’s important to pick something personally meaningful, something that you actually love to do…
(Photo: Ang Lee poses at the 85th Annual Academy Awards at Dolby Theatre on February 24, 2013 in Hollywood, California. By Steve Granitz/WireImage)